Poetry and lightness coexist in this bold collection of suspension lamps, based on the stylistic expressions of the late 1950s and early 1960s. Roberto Lazzeroni reinterprets attempts to combine tradition and modernity to construct his own approach, poetically connected to a familiar imaginary. Like splinters, the curved Venetian Crystal segments match irony with rigour. Visibly anchored to the ring structure, they screen opaline glass cylinders containing a dual array of light bulbs. On one, two or three levels, they establish proportional relations of remarkable impact.
Finishings
Venetian Crystal
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CC
Crystal
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SF
Emerald/Smoke
Base finish
-
NJ
Brushed Black Nickel
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OJ
Brushed Gold
Spec sheet
7450
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CollectionPunk
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TypologySuspension lamps
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Height
70 - 320 cm
27 1/2 -126 inc -
Diameter
70 cm
27 1/2 inc -
Weight
22 kg
48 lbs -
Bulbs
24 G9 x 4W - dimmable - included
24 G9 x 4W - dimmable - included -
Certifications
7451
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CollectionPunk
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TypologySuspension lamps
-
Height
100 - 360 cm
39 1/4 - 141 1/2 inc -
Diameter
70 cm
27 1/2 inc -
Weight
45 kg
99 lbs -
Bulbs
48 G9 x 4W - dimmable - included
48 G9 x 4W - dimmable - included -
Certifications
7452
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CollectionPunk
-
TypologySuspension lamps
-
Height
140 - 395 cm
55 - 146 1/2 inc -
Diameter
70 cm
27 1/2 inc -
Weight
67 kg
147,5 lbs -
Bulbs
72 G9 x 4W - dimmable - included
72 G9 x 4W - dimmable - included -
Certifications
Roberto Lazzeroni
Roberto Lazzeroni was born in Pisa, the town where he has chosen to live and to work.
His professional training is the result of studies – Art and Architecture in Florence. From the beginning ha has always shown an interest both in the phenomena of the world of conceptual art and the ones of radical design. In the early 80’s he started to be interested in industrial and interior design, a specialization which he defines as “fundamental” for the following approach to the world of the “industrial product”. A fine connoisseur of the history of design and its related signs, he is very skillful to put daily into practice this knowledge. Talking about his own projects, Lazzeroni uses the expression of “sentimental design”; it is indeed easy, even for an untrained eye, to see the tension between past and future in this works. This trend is nowadays defined as “transitive design”.The signs of past are somehow recognizable; they are clearly worked out again and the outcome ia a real and balanced tension between past and future. Lazzeroni’s background and his way to understand design have caused his specialization an Art direction.Today the works especially at the “total concept” which is hidden behind the birth of a trademark. After the experience with Ceccotti Collezioni which started in 1988, today Lazzeroni has started to collaborate also with many others important firms. All experiences where he is directly responsible of every aspect linked to the birth and the development of a firm. A very “dinamic” career with some precise costants that show Roberto Lazzeroni always involved in two different directions: his studies and his professional interests which have made of him an undisputed protagonist of important exhibitions, and his approach to a design that is absolutely integrated in the everyday reality of interior space.
